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"When you're using a spray can as a rhythm element, you're making a statement about the culture you're coming from," he says. "It's more than just the same musical ideas. If I look for new ideas in records, [hip-hop] is where they all are."
Cale was responsible for the sonic adventurousness of the first two VU albums, incorporating the improvisation and drone he learned with his early mentor, John Cage, into the Velvets' work. He also sought unusual sounds by stringing his viola with guitar or banjo strings and using nonmusical instruments like dragging a chair across a studio floor. So it's no surprise that Cale would gravitate to a beatsmith known for such unusual sounds.
At a rare Dallas tour stop, Cale plans to play plenty of new stuff along with cuts from his 21 other post-Velvet albums. Expect mostly recognizable renditions with some improvisations, he says, though the band has been "deconstructing" fan favorites, too. Wonder if he'll bring spray cans.