Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Sonny Burgess
Thursday, February 21, at Glass Cactus, Grapevine
Published on February 21, 2008
Born and raised in Cleburne, Sonny Burgess was always surrounded by the customs commonly associated with traditional country music: growing up poor in a rural setting and being constantly exposed to the music of Hank Williams Sr., Glen Campbell and Roy Clark. Being a high school baseball star provided Burgess his first glimpse of fame, but he was always playing music, even while holding down day jobs as a substitute teacher and railroad worker. Finally, in 2001, Burgess got around to releasing When in Texas, a debut that got noticed in the holy hayseed city of Nashville even though it had more in common with Texas legends such as Willie Nelson and Doug Sahm. The sophomore effort, Stronger, released in 2005, more than lived up to its title as Burgess cherry-picked tunes from some of Nashville's most inventive (and least mulleted) songsmiths. Although Burgess comes across as appropriately cleaned and pressed, he is capable of digging deeper than your average country crooner. Here's hoping that his next release goes well beyond the easy associations to Randy Travis and into regions where good looks aren't anything special unless in the service of good songs.