Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles
Recent Articles by Ben Westhoff
Despite drinking enough syrup to kill a small horse, Lil Wayne is actually quite calculated
Seeing Sounds (Star Trak/Interscope)
Tha Carter III (Young Money/Cash Money/Universal)
Anti-intellectual appeal and red-state focus are just the tip of what these two have in common.
Narrow Stairs (Atlantic)
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Atmosphere
When Life Gives You Lemons, You Paint That Shit Gold (Rhymesayers Entertainment)
Published on May 08, 2008
The characters given life by Slug on Atmosphere's new album have unenviable situations, but they're not all "painting that shit gold" (whatever that means): Vagrants, single parents and dope-addled fiends, they all work, fuck and wallow in their misery, giving the emotional indie rap act a chance to traffic in someone else's self-righteousness and self-loathing for a change.
That said, the album feels just as personal as Atmosphere's previous works while showcasing a bit of artistic evolution. Producer Ant chops up bass, guitar and synth parts that were recorded under his direction, which results in Gold feeling less like the boilerplate, sample-driven indie rap albums Atmosphere has threatened to retire on and more like a groundbreaking work. Though pockmarked by clichés and listless tracks like "Guarantees" and "Like the Rest of Us," it nonetheless hints at good things to come for Slug and Ant, provided they continue in this style.